Cornelius S. Bushnell Monument
By Jason W. Smith
My country, ‘tis of Thee,
Sweet Land of Liberty
Of thee I sing
The words floated in the air, its melody carried by a school band over the newly-christened Monitor Square on the morning of May 30, 1906—Memorial Day.
Land where my fathers died,
Land of the pilgrims' pride,
From every mountain side
Let Freedom ring.
The assembled crowd must have found those words telling
as they recalled Cornelius Scranton Bushnell, a New Haven shipbuilder and—apropos
of this occasion—financier of the revolutionary ironclad warship USS Monitor. The ship, designed by Swedish
inventor John Ericsson with a rotating turret atop an iron-plated hull, met the
Confederate ironclad CSS Virginia on
March 9, 1863 at Hampton Roads, Virginia. Though the battle was a draw, the Monitor had protected the Union blockade.
If not for the Monitor, the Morning Journal and Courier observed in
1901, “there is a question
whether our arms might have been successful in achieving the entire results in
which we as a nation now rejoice.”
Born in nearby Madison,
Bushnell was a New Haven industrialist and Fair Haven shipbuilder. In
Washington, D.C. when the Civil War broke out in April 1861, Bushnell
immediately volunteered for service to protect the capital. While there, he
discovered the revolutionary plans for Ericsson’s ironclad. Immediately seeing
its merits, he put his influence behind raising funds and contributed a substantial
portion of his own. The Monitor was
constructed in Brooklyn.
In 1899, three years
after his death, a group of New Haveners led by veteran William S. Wells,
organized the Cornelius S. Bushnell National Memorial Association, intending to
rehabilitate Bushnell, who members believed was not fully appreciated. “He
should have been the ward of the nation,” Wells wrote in a book published in
New Haven in 1899 and reprinted again in 1906. The book compiled a biography,
the story of the Monitor, and
Bushnell’s letters to the secretary of the Navy and Ericsson, making the case
for Bushnell’s significance and raising money for a monument. The association
grew to constitute “our foremost citizens,” Wells noted. These included not
only George Dudley Seymour and John Ferguson Weir who led civic improvement efforts
in New Haven, but also city business leaders like Max Adler, and national
figures such as President Theodore Roosevelt. This was part of a broad commemorative
trend in this era that sought to “celebrate [New Haven’s] contributions to the
Industrial Revolution and the growth of American commerce,” writes historian
Laura Macaluso.
With $5,000 secured from
the state and the support of Connecticut’s Grand Army of the Republic, the
Association raised $25,000 and commissioned sculptor Herbert Adams and
architect Charles Platt to collaborate on a memorial. The monument was unveiled
on Memorial Day 1906 in a triangular greenspace where Chapel Street and Derby
Avenue diverge on the edge of the Edgewood neighborhood, one of the city’s most
desirable late-nineteenth-century residential sections. As Macaluso notes, the
choice of location—far from Bushnell’s own Fair Haven shipyard—likely had to do
with beautifying those sections of the city farthest from the growing blight,
poverty, and pollution of the industrialized waterfront.
The monument features a
bronze eagle, wings and talon extended atop a globe fronted by a national
shield of arms and four dolphins. Beneath these is a granite plinth fronted by
a bas-relief of Bushnell and Ericsson and an image of the Monitor. It remains, “one of New Haven’s best examples of American
Renaissance public art of the Gilded Age,” Macaluso writes. It was “a public
adornment” and “an ornament to the city’s appreciation of patriotic service,”
New Haven historian Everett Hill observed in 1918.
After more than a century,
the monument and square has undergone changes both physical and cultural.
Enough of Ericsson and Bushnell’s reputation remained in the public
consciousness that in 1926 the Swedish crown prince and princess on an
automobile tour of New Haven stopped by the monument to remember the
Swedish-born Ericsson and Bushnell his collaborator. By the twenty-first
century, however, the area had experienced difficult economic fortunes. Like
nearby Edgewood Park, Monitor Square suffered neglect. Its wrought-iron fence remains
fractured and trash litters its gardens. “I thought it was a doggie park,”
David Player, who lives in an adjacent apartment building, told the New Haven Independent in 2020.
Nevertheless, a group
called Friends of Monitor Square has planted new trees and keeps weeds at bay.
Neighbors enjoy dog-walking and a bag station exists to clean up afterward.
Player notes that a band once again sets up to encourage bicyclists and runners
during the city’s annual marathons and races. There is a small farmers’ market.
Finally, there is
Bushnell whose monument continues to mitigate against the amnesia that animated
its construction in the first place. At the 1906 unveiling, before a crowd that
included Bushnell’s six-year-old grandson whose father’s name was Ericsson,
Wells, the organizer, concluded his address by observing that Bushnell would be
“preserved in granite and bronze to be read by future generations, and as the
years roll on.” So it remains.
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Figure 1: Ornamental cartouche of the Cornelius S. Bushnell National Memorial Association from William S. Wells’ The Original United States Warship “Monitor,” 1899
Figure 2: The Bushnell Monument in Monitor Square as it appeared circa 1918 from Everett Hill’s A Modern History of New Haven, 1918
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Figure 3: View of Bushnell Monument across Monitor Square, 2020 courtesy of the author\
Bibliography
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Breen, Thomas. “Triangle Parks Come into Focus.” New Haven Independent, February 14, 2020. https://www.newhavenindependent.org/index.php/archives/entry/triangle_park/ (accessed 9/21/2020).
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Cornelius S. Bushnell National Memorial Association, 1899.
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